Below are the stories I have written so far.

The first was Μετάστασις. After I finished it and reread it, I thought I might have gone a bit too far. So for the next one, Ζέστη, I decided to pick something entirely mundane and everyday as a subject. Somehow, though, that story also ended up with hefty doses of the unreal—much of it borrowed from Μετάστασις.

At that point I began—not without some surprise—to suspect that I was essentially writing the same story again and again.

So I decided to put an end to it with Επτά. Rereading that as well, it seemed that once again I had failed to settle the matter and owed it to myself to try again.

This time a set of four stories emerged under the general title «Άμωμον Αίμα». I finished the first two, Το ροζ βουνό and Το χρυσό βουνό, but rereading them, I didn’t like their tone.

So I wondered: what should I do? Stop writing, stop rereading, or… try one more time?

And so I found myself working on Τρέχον, whose final title remains to be seen.

Current

Άμωμον Αίμα v2(2025-08-13)

Tasia’s travails at the Lady’s house and at the Archdiocese as she struggles with her memories and with Chrysa. Same premise as “Immaculate Blood,” but… better!

Άμωμον Αίμα

Το ροζ βουνό(2023-03-28)

Tasia, trying to escape an unconfessed past, takes refuge as a wet nurse in the Lady’s household, where she witnesses a mysterious death. Meanwhile, through her memories, the split life she led at the Monastery of Pantokrator Tao begins to surface.

Το χρυσό βουνό(2023-03-28)

Tasia discovers something suspicious in her employers’ home and doesn’t know what to do. In her memories she returns to Chrysa and to their initiation into the teachings of the Immaculates. Truth and illusion begin to intertwine inseparably.

Το κόκκινο βουνό(2023-03-28)

At Headquarters, the interrogation reveals Tasia’s relationship with the male nurse Christos and a resistance organization. Past and present collide, while the notions of resistance and betrayal take on new dimensions.

Το μαύρο βουνό(2023-03-28)

Chrysa’s return as an Interrogator leads to the final reckoning. The personal and the political merge, and Tasia is called to take a stand: to destroy or to save a world she essentially doesn’t know.